Environmental Politics: The Globalization of Quinoa

This essay was written for a course taught by Dr. July A. Podmore in April 2016.

04/2016, DOI:10.13140/RG.2.2.28832.38408

Description: Although global flows impact Bolivian Quinoa, the post-neoliberal politics of Evo Morales have allowed for a transformative globalization from below. Quinoa has been preserved by the Quechua and Aymara nations, particularly in Bolivia, where it is produced as one of the main commodities of the country for its high nutritional value and tolerance to harsh environmental conditions The foundation of the plurinational state has managed to develop sustainable quinoa chains by implementing food security policies according to reports published by the Food and Agriculture Organization of the United Nations (FAO).

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Herstory: Crossing the MEX-US border (1994-1995)

This project was made for a Geography course taught by Sébastien Caquard in April 2017.

Screen Shot 2017-04-09 at 11.53.31 AM

Click here (or on the image above) to go directly to the STORY MAP page

Herstory: Crossing the MEX-US border (1994-1995) is the story of Leticia, an unemployed journalist from central Mexico who crossed the MEX-US border illegally to work as the domestic worker of a well-off ‘white’ family in Phoenix, AZ, from December 1994 to March 1995. Leticia’s story developed in ten geographic locations that were named according to the activity she emphasized the most. Colours were attributed to the emotions she identified for each location and moment within the narrative. She was also asked to select a song she felt represented or summarized her story.

I wanted to map an emotionally charged story and capture the multidimensionality of it. I also wanted it to be the story of immigration of a woman, preferably of Hispanic origin. Leticia was selected from a group of participants that took part in a workshop during QPIRG Concordia’s Learn to Resist, a teach-in and conference about resisting the far-right. She volunteered her time for a more detailed interview about her story crossing the MEX-US border as an undocumented immigrant. Because I did not want it be an exploitative, the story was contextualized as an instance of concurrent phenomena. The interview was conducted in Spanish. It was informal, performed as a conversation, consciously pursuing to counter the patronizing (and dehumanizing!) objectivity of Western academia. To avoid treating Leticia as a subject, the interview was conducted by phone. This way body language would not intrude in the processing of her story. Being in a place of personal comfort and safety also enabled her to open up and detach from the gaze of the interviewer (intruder).

Tripline and ArcGIS were selected to map this project. Tripline was my starting point because it is simple to use and effective for geocoding the story. It is also accessible for slow Internet connections. I was aware that it is very limited in terms of customization, reason for which I kept it as a geocoding tool that allowed me to quickly organize the story within a timeline that I then exported as a KML file. I used other platforms to polish the data (CARTO, Google my maps, and KML2GPX) and facilitate its visual rendering on ArcGIS. The latter is a powerful online tool to customize maps as it offers a good selection of basemap options and high compatibility with various files that can be easily imported from third party platforms as the formerly mentioned. Both approaches were selected because they are complementary to each other. ArcGIS is not a good choice for geocoding because it has to be done manually, whereas Tripline allows you to even input the date and more specific information about the location, such as a story and website—if applicable. It is also well design and functions as an interactive map with pop-ups when clicked on the placemarks. Thus, Tripline stands on its own as an approach unlike the other platforms that are more complex.

Comparative grid of selected criteria

  Criteria A. Tripline B. ArcGIS Conclusion
1 Geolocating place Easy for geocoding and storytelling purposes: user-friendly interface to input location, date, and story Difficult for geocoding since placemarks have to be added manually and/or have to be imported as a recognized file format (i.e. CVS) A is a much better platform for geocoding and storytelling due to its user-friendly interface and option to download as a KML file
2 Diverse basemap options Only one basemap option is available Ten basemaps available for free, including the option to upload your own B offers a wide range of basemap options compared to A, which only offers a default one
3 Ability to customize map design A max. 3,000 characters available for text. Images can be uploaded from computer, facebook or instagram accounts, or public photos from Flickr. Can include website, phone number, and exact address, as well as edit the title, date, and hour. Visitors can leave comments Layers can be imported from files (i.e. Shapefile files, CSV or TXT (up to 1000 features or 250 address locations), and GPX), the web, within ESRI, or as map notes (manual placemaking). The table can be edited/removed as well as the drawing style for the markers and polygons. Labels and pop-ups can be configured B has a variety of tools and options that make it easier to customize the design of your maps. Although complex, B is an effective free platform for map design
4 Accessibility for users with low Internet bandwidth Loads decently even when Internet connection is slow, which makes it relatively easy to edit also because it is available as an app Although it loads fairly when Internet connection is slow, the complexity of the platform makes it hard to edit without feeling the urge to quit A is a good option for users with low Internet bandwidth and also for people who tech-savvy since it is also available as an app
5 Associating places with emotions Almost impossible given the type of symbols available Difficult, but made possible by pasting pictures of the families who lived in the different places B offers much more possibilities for representing emotions


Results

After geolocating the story on Tripline, the KML file was exported and imported to CARTO for data mining and clean-up, as well as the conversion of KMLs into shapefiles. Google My Maps served to trace road routes for GPS-like field data collection, and the resulting KML file was converted into GPX in KML2GPX. All of these files were imported into ArchGIS as layers. Two maps were created: one would focus on Leticia’s trip only (mobility type and time spent), and the other on her emotions. The pop-up windows were edited to include important details, and so were the markers and polygons in order to improve readability.

ArcGIS Map Journal application was selected to produce multimedia storytelling. This tool allowed me to pursue my goal to turn it into a multidimensional narrative, by implementing complimentary media that would immerse the viewer into the story interactively. The maps also compliment each other and can be zoomed in to further explore the journey of Leticia to the US. Context is provided in the introduction to understand the socio-political and socio-economic environments that led Leticia to venture into this journey. Importantly, she is portrayed as a human and not as a mere statistic.

Overall, in the process of story mapping online, Tripline is highly efficient as step one, and since ArcGIS renders everything into a piece that can be richly edited and customized for free, it is an excellent final step.

Recommendations

Tripline is okay as it is. It is easy to use and a handy geocoding tool. However, there is always space for improvement. For example, including CVS file option for download could make it easier to edit the data offline with excel or any other free spreadsheet software. Changing the pop-ups design to allow displaying more text than the current limit, and a cleaner preview of the attached images by increasing the display width to 100% of the pop up.

Adding a feature in ArcGIS to allow embedding audio and/or video in the pop-ups could lead to more interesting maps. Finding a way to make it easier to customize the text shown in the legend may as well improve ArcGIS’ user-friendly interface. Similarly, taking it a step further would mean implementing VR qualities, especially if Google Maps’s Street View is linked as a pop-up window that let’s you activate sound effects carefully cued inside.

I would have liked to incorporate smells and temperature, but it required more technical development and time I did not have, unfortunately. Perhaps this could be possible if Tripline had an option to input or automatically find the weather conditions for the date, time, and location specified in the map.

Shifting perspectives on ‘studentification’: A multi-disciplinary approach

This essay was written for a course taught by Dr. July A. Podmore in December 2016.

04/2017, DOI: 10.13140/RG.2.2.19080.62721

Description: ‘Studentification’ emerged from media discourses about ‘student ghettos’ in the UK. Conceptualized in the early 2000s as a sociospatial transformation resulting from the expansive development of student housing in university enclaves, it threatens the social, cultural, economic and physical environments of university towns. For this matter, Higher Education (HE) plays a substantial role in the process of studentification. In this paper I explore the role of studentification in urban dynamics, followed by a conversation on studentification and urban resilience. The process of studentification is discussed from a multi-disciplinary approach in order to gain a holistic understanding of difference in the city. How does studentification impact urban dynamics? If understood as a demographic disturbance, how does studentification lead to urban restructuring? What is required to build resilient urban systems? What tangible and/or intangible traits determine resilience levels of an enclave? How influential is the role of sociospatial differentiation in this regard?

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Why party discipline is bad for Canadian democracy.

This essay was originally written for a Political Science course in September 2015.

Canadian democracy is the outcome of the Westminster system inherited from British tradition where Parliament falls within the Legislative Branch of the Government. Parliament is composed of the Senate, also known as the Upper House because these are 106 seats physically found in the upper level of the Chamber, above that of the House of Commons, or Lower House. The latter is formed by 308 Members of Parliament (MPs), all elected officials commonly associated with a political party, although it is also possible to sit as an independent, from which the Prime Minister (PM) and his/her cabinet are selected.

The Senate, on the other hand, is appointed by the PM. The purpose of Parliament is to either approve or disapprove a statute by following a structure of government. Both chambers have a leading opposition to generate debate during the legislation process. The House of Commons is obliged to conduct two readings of the proposed policy followed by a report stage in case it passed after the debate performed in second reading. At this point the bill has been referred to a committee that will take into consideration the say of witnesses before voting and referring it to the Report Stage. A third reading proceeds where MPs vote on the overall policy. The process repeats in the Senate. If the majority of senators vote for it, the bill is sent to the Governor General for her Royal Assent for it to metamorphosize into law. The Executive Branch is responsible of introducing the bill, whereas the Judicial Branch interprets the law to apply it.  

Party discipline happens when a party leader has substantial control over the voting power of MPs from his party bloc. Based to the level of dedication and loyalty demonstrated to the leader and party in general, the caucus members are entitled to rewards such as promotions or aperture to more privileges in their current positions, among other possibilities (Brooks, 2012). If say a caucus member does not align to the demanded discipline, expulsion or further restrains and punishments are expected to follow (Brooks, 2012). Indeed, loss of confidence is regarded as undesirable by most politicians, since often times the success of their careers depend on the quality of their relationship with party leadership. Otherwise, the political ladder would be nearly impossible to ascend (Kilgour et al., 2006). Elected officials are worth for the seat they occupy in parliament, which can make a significant difference in the passing of a bill or amendments proposed by their party.

Notwithstanding, as ex-MP from British Columbia, Dr. Keith Martin, noted in a text published in Box 8.7, pages 264-265 of the textbook, party discipline creates a democratic deficit. What this means is that although MPs are democratically elected by Canadians to represent them in the government, they actually render accountability to their constituents (Brooks, 2012). Such behaviour can be judged as an obscene act that should not be tolerated, yet it is a reality in Canadian politics. Back in May of this year Bill C-51, or the Anti-Terrorism Act, passed third reading with 183 votes in favour and 93 against. Backed up by the Liberal Party, the bill was a Conservative Party initiative that was not well received by public opinion (The Canadian Press, 2015). Forum Research (2015) published an opinion poll this March 14 revealing that of the 1370 people considered for the study, about 50% disagreed with the bill legislation, especially concerning certain provisions that allow “security services to infiltrate and track environmentalists, First Nations and pipeline protesters,” as well as “the lack of parliamentary oversight included in the bill”.

Irrefutably, party discipline functions like a glue stick for party cohesion. It not only speeds up and legitimizes party legislation, it also makes the legislative process predictable. (Flavelle et al., 1986; Kilgour et al., 2006). In fact, it could be argued that high-discipline is a powerful strategic element that can be implemented by party leaders regardless of public disapproval, as observed in the instance of Bill C-51. This account also brings into question the integrity of Canadian politics, since it reveals that party discipline is accompanied with secrecy, enforcing a systematic-like violation of the right for freedom of speech of elected officials. It, indeed, reinforces the need of closed-door meetings as caucus members may not be otherwise able to publicly contradict their party, for it could jeopardize their political career in that affiliation (Slide 9, Lesson 15).

There have been a few examples recently documented by the media, like a veteran resigning Nova Scotia candidacy in objection to his leader’s support for Bill C-51 (Taber, 2015), or even like other candidates that had no other choice but to resign because of undeniable misconduct that made it to the news headlines. Furthermore, party discipline makes it difficult for parliamentary opposition to criticize and overlook the government’s actions (Slide 22, Lesson 15). Again, the unfolding of events in the legislation of Bill C-51 evidenced the extent pattern of loyalty ingrained in Parliament, and clearly the Senate is not exempt, considering the Prime Minister is in charge of appointing whomever he chooses to seat in Upper House. Such is the instance of Stephen Harper, who has made 59 appointments throughout his 10 year administration (Wherry, 2015), including ex-Conservative loyalist Mike Duffy who has been charged with fraud. As a result, party discipline contradicts the authority of the structures of government; in other words, it does not benefit Canadian democracy.

As already stated, party discipline increases the chances of accelerating party legislation, which makes it easier for ministers to know the fate of their bill in Parliament, increasing legitimacy to the government’s agenda. Huffington Post Canada quoted Public Safety Minister Steven Blaney during Third Reading of Bill C-51, “Members have heard me many times saying there is no liberty without security,” adding “there is no prosperity without security” before calling the New Democrats for not recognizing “a spade [from] a spade”, alluding the man who managed to infiltrate a gun on Parliament Hill about a year ago (Lum, 2015). Blaney said these words with the intention of defending the legislation, as it had been strongly opposed by New Democratic Party (NDP) MPs. Nevertheless, his confidence was not unfounded. His party, the Conservative Party, currently governs with parliamentary majority as it has 170 MPs affiliated, in addition to 39 Liberal MPs (House of Commons, 2015). He had the satisfaction of already knowing the outcome of the final voting in Lower House.

Of course, Liberals were similarly questioned by the NDP for supporting a Conservative initiative that was not in sync with the history of their party, to which Vancouver MP Joyce Murray from the Liberal Party was quoted also by Huffington Post Canada asking “the member whether he would want it on his conscience should there be an attack that leads to deaths of Canadians because of the loopholes that the bill is attempting to fix?” (Maloney, 2015). It was expected that a minister of Harper’s cabinet would fervently defend the bill, and Murray’s demonstration of loyalty to her caucus is no mystery. After all, the Liberal Party has a long history of high-discipline, a measure that allowed it to stay in power for extended parliamentary periods (Brooks, 2012), and Harper’s conservatives have been following that legacy effectively. Remarkably, party discipline serves well as a strategic weapon common among politicians regardless of their political affiliation, even if their own integrity perishes.

Senators as well fall prey of its influence. In theory, senators are not as vulnerable to party discipline compared to MPs because they get “to serve until the age of 75”, so they are not accountable to the party leader  for a nomination in further elections (Brooks, 2012). However, reality tells a totally different story. Senators are appointed by the Prime Minister. As Brooks (2012) puts it in page 258 of his book, “[m]ost are people who have served their party long and well, and it would be more than a bit unusual if they were suddenly, after appointment to the Senate, to change the patterns of loyalty that got them there in the first place”. Taking advantage of the possibilities at hand, Harper appointed as many senators as he may have thought pertinent, granting his government the advantage of having not only majority in the House of Commons, but also in the Senate by the time Bill C-51 moved forward. Of course 44 senators voted in favour of the bill and 28 against it in the end (Sean, 2015).

The danger of party discipline is that it can turn against the party itself and have the leader looking rather dictatorial. This is especially the case in a democracy that is supposed to allow the opposition in both Chambers review the bills for possible changes and so respect the legislative process. In the case of Bill C-5, thousands of people mobilized all over Canada to protest, for it was evident from the beginning that “[t]he Conservatives used their majority on the House of Commons public safety committee to vote down the first wave of opposition amendments to the federal anti-terrorism bill,” (Bronskill & The Canadian Press, 2015) as Huffington Post Canada reported on March 31 of this year. The Conservatives continued ignoring public discontent along with the criticism and suggested amendments, even once Report Stage was reached!

According to CBC News report, Green Party Leader Elizabeth May mentioned the committee members simply shut down to listening the witnesses throughout the process, unwilling to consider, nor make any changes (O’Malley, 2015). Witnesses were simply worried about the bill violating civil rights as it hands in new powers to the Canadian Security Intelligence Service (CSIS) to spy on people within Canada, and even proceed with prosecution if the individual is considered a threat to national security. This targets anyone against the federal government, not only ISIS supporters. Environmentalists and First Nations activists may as well face criminal charges if determined by the CSIS. What this shows is that when the political arena is overloaded with highly disciplined players, the rules giving structure to the game turn irrelevant. When parliamentary debate does not influence the fate of a bill, democracy is no longer taking place. It simply undermines the principles of social equality.

The NDP and the Green Party, as members of the opposition in the House of Commons, could only sit in frustration hoping the Senate would be more prudent and pay attention the observations made by experts about the violations to the Charter of Rights the bill allows, but this was not the case as already discussed. And how could it be if Harper’s senate and inner circle had been ridiculed by the fraud scandal of ex-senator Mike Duffy back in 2013 for getting caught spending public money for his personal expenses, an apparent common practice by members of the Upper House. The whole episode of misconduct put Harper’s team in the spotlight, especially because Nigel Wright, ex-Chief of Staff of the PM’s Office paid for Duffy’s damage “as a desire to contain a political problem” (Mansbridge, 2015). In circumstances like this one, party discipline can be counterproductive for the individuals involved, like it happened with Wright as he was blamed by fellow Tories in the PM Office, including the PM himself, for not maintaining open communication of his actions. Although evidence contradicted that version of the story during the trial (The Canadian Press, 2015), Wright had to suck it up and assume complete responsibility like a martyr. He now lives and works in London, UK (Mansbridge, 2015).  

Secrecy seems to be of importance in maintaining a disciplined party, especially when events like the Duffy spectacle are prone to happen. Elected officials, as it turns out in Canadian politics, do not have freedom of speech.  Alberta MP Brent Rathgeber, a backbencher at the time, could not contain his disappointment on the Conservative Party. He decided to speak out in his blog about how the party had “morphed” into what they had hopped to fight when they first arrived to Ottawa in 2006 (Raj, 2013). A declaration that costed Rathgeber his career as a Tory. Moreover, in an interview with the Canadian Press in summer 2013, Senator Carolyn Olsen declared not having spoken with anyone outside of the Senate who were “directly involved”, but as it came out later she had actually been exchanging emails with some people in the PM Office including Wright. In one of the emails, in fact, she is quoted telling him that she is “always ready to do exactly what is asked” (as cited by CBC News, 2015) while also discussing “how to shape the committee’s final report on Duffy to make sure the language was softened” (The Canadian Press, 2015).

Other parties have not been exempt of drama that puts in question the integrity of Canadian politicians. Back to the subject of Bill C-51, Liberal candidate Veteran David MacLeod left the party in June of this year because he could not believe Liberal Party leader Justin Trudeau would support the bill (Raj, 2015). He told the Globe and Mail that “it was an integrity-based decision” as he concluded from reading the entire bill that it gives the “opportunity for abuse”, also testifying that “there was opposition to [the bill] from supporters of all the parties” (Taber, 2015). He certainly did not like the idea of the CSIS having “the power to get a warrant in secret and to break the Charter of Rights” (Taber, 2015), then, again, who blames him? So he quit.

Notwithstanding, MacLeod made that choice by himself. As punishment of their misconduct, even if it happened way before even joining the party, affiliated candidates to a party are forced to quit. This has been happening already as the elections get going, such was the case of NDP candidate Kings-Hants for having used anti-semitist language on a Facebook conversation back in 2014, all he wrote was that in the occupation war against Palestine, Israel seemed to want to “ethnically cleanse the region” (as cited by CBC News, 2015). Of course, NDP leader, not wanting to have the Zionist community on his neck commented that the NDP “position on Israel has always been that they deserve a safe and secure state” (CBC News, 2015). Another example comes from the Green Party of Canada, when one of its candidates declared his desire to not run for the Peterborough-Kawartha District in Ontario because he had decided to “endorse the NDP nominee” instead, an embarrassing declaration that had the party apologizing to supporters for the confusion as well as stating that they did not support this resolution (The Canadian Press, 2015).  

Consequently, party discipline gets on the way of Canadian democracy. It is unquestionable that affiliates develop stronger patterns of loyalty with the leader that make them a tough rival to defeat. Nevertheless, it can turn into an authoritative caucus with no free will nor freedom of opinion. Furthermore, as it seems, secrecy happens organically in that environment, which makes it hard for Canadians to trust their elected officials of being accountable to them and not to the PM Office. Even the opposition displays strong party discipline, but the party seating with the majority in Parliament is obliged to include them in the legislative process, as well as consider any criticism offered by public opinion.

There needs to be more accountability to Canadians although this may delay the approval of a law because that is how democracies remain healthy. If the government behaves like a dictatorship it should at least be honest about it and turn to cynicism more often instead of trying to maintain an appearance of rightness that only hurts the feelings of idealists who still believe in ethics. Inciting fear to pass statutes that completely disrespect the Charter of Rights as it happened with Bill C-51 are detrimental to the integrity of Canadian democracy, and that is not fair.

 

Bibliography

Bronskill, Jim; The Canadian Press. “Bill C-51 Amendments From Opposition Rejected By Conservatives”. The Huffington Post Canada. 31 Mar 2015. Web. 2 Sep 2015.

Brooks, Stephen. “Canadian Democracy: An Introduction.” Oxford University Press (2012): Chapter 8.

CBC News. “Morgan Wheeldon, Kings-Hants NDP candidate, resigns over Israel comments”. CBC News. 10 Aug 2015. Web. 28 Aug 2015.

CBC News. “Refugee crisis: Stephen Harper rejects proposed meeting with political rivals”. CBC News. 7 Sep 2015.  Web. 7 Sep 2015.

Flavelle, Lucinda, and Philip Kaye. “Party Discipline and Legislative Voting.”Canadian Parliamentary Review 9 (1986): 6-9.

Forum Research. “The support now for stiffer terrorism legislation”. The Forum Poll. 17 March 2015. Web. 28 Aug 2015.

Harris, Kathleen. “Harper add 8 new faces in major cabinet shakeup”. CBC News. 15 Jul 2015. Web. 28 Aug 2015.

House of Commons (2015). “Members of Parliament”. Parliament of Canada. http://www.parl.gc.ca/Parliamentarians/en/members?view=List&page=2 (accessed August 26, 2015).

Kanji, Mebs (2015) “Introduction to Canadian Politics – Lesson 15” eConcordia  http://www.econcordia.com/courses/canadian_politics/lesson2/ (accessed August 20, 2015).

Kilgour, avid, John Kirsner, and Kenneth McConnell. “Discipline versus Democracy: Party Discipline in Canadian Politics.” Crosscurrents: contemporary political issues (2006).

Lum, Zi-Ann. “Harper’s Anti-Terror Bill C-51 One Step Closer To Becoming Law”. Huffington Post Canada. 6 May 2015. Web. 2 Sep 2015.

Maloney, Ryan. “Joyce Murray Accused Of ‘Fear-Mongering’ In Defence Of Bill C-51”. Huffington Post Canada. May 5 2015. Web. 2 Sep 2015.

Mansbridge, Peter. « Stephen Harper reached out to Nigel Wright over Mike Duffy payment ». CBC News. 7 Sep 2015. Web. 2 Sep 2015.

O’Malley, Kady. « Bill C-51 amendments seem unconnected to committee process ». CBC News. 31 Mar 2015. Web. 2 Sep 2015.

Perkel, Colin; The Canadian Press. “CSIS To Get More Money To Beef Up Public Safety: Harper”. Huffington Post Canada. 4 June 2015. Web. 2 Sep 2015.  

Radwanski, Adam. “Duffy trial threatens Conservatives’ ability to mobilize their base”. The Globe and Mail. 21 Aug 2015. Web. 2 Sep 2015.

Radwanski, Adam. “Tories’ campaign strategy: Staying mym to avoid gaffes”. The Globe and Mail. 2 Sep 2015. Web. 2 Sep 2015.

Raj, Althia. “Harper’s Conservative Party Base Agitated As PM Strays Far From His Roots”. The Huffington Post Canada. 14 Jun 2013. Web. 2 Sep 2015.

Raj, Althia. “Liberals Mum After Veteran David MacLeod Quits Candidacy To Protest Bill C-51”. The Huffington Post Canada. 15 Jun 2015. Web. 2 Sep 2015.

Sean, Kilpatrick. “Bill C-51 passes Senate vote, awaits royal assent ”. CTV News. 10 Jun 2015. Web. 2 Sep 2015.

Taber, Jane. “Veteran resigns N.S. candidacy in protest against Trudeau’s support for security bill”. The Globe And Mail. Jun 15 2015. Web. 2 Sep 2015.

The Canadian Press. “Bill C-51 passes in House of Commons”. CBC News. 05 May 2015. Web. 20 Aug 2015.

The Canadian Press. “Candidates’ gaffes start to add up after 3 weeks of campaigning”. CBC News. Aug 25 2015. Web. 7 Sep 2015.

The Canadian Press. “Harper Accuses Federal Leaders Of Playing ‘Partisan Games’ Over Syrian Refugee Crisis”. The Huffington Post Canada. 7 Sep 2015. Web. 7 Sep 2015.

The Canadian Press. “What top Conservatives said about the Duffy-Wright affair”. CBC News. 18 Aug 2015. Web. 20 Aug 2015.

Wherry, Aaron. “After appointing 56 senators, Stephen Harper is done”. Maclean’s. 24 Jul 2015. Web. 7 Sep 2015.

 

‘Capitalism: A Love Story’: Is Michael Moore effectively changing minds, or is he simply preaching to the converted?

This essay was written for an course taught by Matthew Hays in April 2017.

Capitalism: A love story by Michael Moore came out in 2009, making $231,964 at the box office during the weekend it screened in US (IMDb, 2009). From the beginning. Moore succeeds at provoking his audience by critiquing how corporate greed  has taken control of the US government. He tells the story of how the American Dream was flushed down the toilet following Ronald Reagan’s ‘trickle-down’ economics in the 1980s, which justified “massive tax breaks that disproportionately favoured the rich” (Foster 2017, February 20), making nearly impossible for workers to enjoy the social benefits once available in US capitalism of post-World War II. As such, Moore shows how the dark side of capitalism took over the government, replacing the so called ‘democracy’ with a plutocracy. Moore evidences how this issue is out of control by incorporating audiovisual language, including that of US American television, a tone his target audience—working class US Americans—has learned to believe ever since television sets became staple electronics in US homes. Moore portrays himself as a preacher of justice for the working class. He emphasizes the injustice and harm corporate greed inflicts in the lives of US citizens, remarking the instance when the US housing bubble exploded in 2008.

Moore connects a generation that was groomed to become self-absorbed consumers. He does so by presenting gut-wrenching stories of relatable people, and idealizing a past in which capitalism was fair, at least for white US Americans—a nostalgic appeal Trump effectively reproduced in his campaign for US presidency. Nevertheless, the fact that he is known to be worth millions of dollars dwindles his moral  credibility and, ultimately, brands him as a Shakespearean fool rather than a political activist. Then, is Moore effectively changing minds, or is he simply preaching to the converted? Easy. Although Moore preaches to the converted with reactionary and radical rhetorics, he does so in a way whereby the end product is not only informative and entertaining for the common people of the United States of America, it is also a healthy discourse to have in pop-culture.

The documentary opens with the clip of a middle-aged white man in front of an orange background, advising the viewer to “leave the auditorium” if they are “easily impressionable” or if in company of an “easily impressionable child”. Music fades in as the image cuts to a sequence of clips from various security cameras showing men robbing stores or banks, mingled with the film credits. This is followed by a sequence composed by clips from a documentary about life in Ancient Rome (produced by William Deneen), which also features a miscellaneous of clips that include portrayals of US workers, missiles, a prisoners, and government officials from different decades. Moore then intercepts with a comment, “I wonder how future civilizations will view our society…”, and cuts to another sequence, this time of cats flushing the toilet. The sequence cuts to a black screen with Moore’s voice again, saying “…or this”. Another sequence fades in, this time showing homeowners from across the US getting evicted. An Illinois former farm owner cues the transition to his interview as says, “There’s no in-between no more. There’s the people who’s got it all, and the people who have nothing”. With this emotional interplay, the film starts.

It is no secret that since the peak years of the Cold War in the 1960s, the US working class began losing at an accelerating rate its privilege to unionize and was also stripped of its basic rights to social services such as public health care—as observed in the film. Moore brings this up, placing the blame on corporate greed. In the film, Moore includes clips from a Jesus Christ movie with his original lines edited. Instead of preaching for his radical Judeo-Christian morality that favours the common people, Jesus preaches for the privatization of social services and the deregulation of the banking industry. To make clear that the sequence is not over yet, we are led by the epic soundtrack back to reality. We see clips of politicians and news commentators claiming that capitalism has made a heaven on earth in the United States, “a god given victory” for the “American people.” Moore juxtaposes this sequence with his own commentary explaining how Jesus would not have wanted to be part of capitalism. With this sequence of satire, Moore conveys the amorality of capitalism. It is at this point that he further explains what a plutocracy is by exposing Citigroup’s Equity Strategy, a document that celebrates the successful rulling of the “1%” over the US lower-classes. It is also at this point that Moore provides the answer to the problem. He reads a section of the document that states, “the most potent and short-term treat will be societies demanding a more equitable share of the wealth” which he then summarizes as “the peasants might revolt” as they have “equal voting power with the rich… one person, one vote”. He underlines this idea by adding, “and that’s what really scares them, that we can vote”.

The film is loaded with sequences formulated similarly to include a joke, facts, and a case study. In other words, investigative journalism filled with satire and wrapped in Moore’s reactionary and radical rhetorics. For K.R. Phillips (2015), the film is a “moral critique”, a piece of “scattered narratives” charged with nostalgic overtones. According to him, “[t]he rhetoric of nostalgia serves as a principal motif in [the film]” (171). He further explains that “for many cultural critics, nostalgia’s at times dogmatic insistence on a utopian past gives license to reactionary and overtly conservative political impulses” (174). In other words, romanticising an idyllic time period can lead to strong resistance to change. During the first quarter of the film, Moore shares footage of his childhood as a means to recall the good old days in which capitalism was fair and indeed prosperous for white US Americans, completely omitting the fact that ‘Blacks’ were still second class citizens—even though the US economy was owing to their enslavement. With this choice, Moore makes it clear that his target audience is the white working class of US America that can relate to the nostalgia. A demographic that elected Donald Trump, the grandchild of a Ku Kux Klan leader, widely televised businessman, and heir of a millionaire fortune, as the new President of the US.

In an interview with The Guardian’s journalist, Chris McGreal, published on January 30, 2010, Moore articulates the following: “One movie maybe can’t make a difference […] I’ll say, what’s the point of this? What do I want [my audiences] to do? Obviously I want them to be engaged in their democracy. I want them to get off the bench and become active”. Interestingly, Moore’s polemic character does not work in favour of his mission statement. In fact, he has been criticized for being a hypocrite. Presumably, Moore’s net worth is $50 million(Celebrity Net Worth 2017). So, he profits from ‘trashing’ capitalism. Indeed, Moore is criticised for villainizing capitalism while cashing out benefits. On The Sean Hannity Show in October 6th, 2009, Hannity brings up Moore’s worth, which according to him is “millions of dollars.” Hannity proceeded to accuse Moore of being ungrateful to capitalism, pointing out that Moore would not have been able to be ‘this’ successful had he been in a socialist country such as Cuba under Fidel Castro’s regime. Indeed, Hannity raises an entertaining point. Moore’s ability to making profitable documentaries has granted him the right to exercise his freedom of speech in plutocratic US America.

The Shakespearean fool is described as a clever peasant or commoner that uses its “wits to outdo people of higher social standing” (Art and Popular Culture, 2013). The Fool in King Lear is a good example:  “The Fool does not desert his ridiculous, degraded king, and accompanies him on his way to madness. The Fool knows that the only true madness is to recognize this world as rational” (as cited in Grellet & Valentin, 2013). Although Moore speaks the truth, he does it from a privileged platform. Regardless of the nobility of his intent, he works for the 1% he claims to disapprove of. Like The Fool, Moore serves as a conscience with no further engagement. After all, in this economy working for Hollywood is embraced as a blessing in the career of filmmaking. Despite Moore’s privileged position, however,  his call to action is daring: “You know, I can’t really do this anymore, unless those of you who are watching in the theatre want to join me, I hope you will. And, please, speed it up”. As the credits roll, L’Internationale, performed in English by Tony Babino, plays in a celebratory tune that, once more, brings back the nostalgia of an ideology that mobilized the West in the 20th century. The utopia of a fair world where workers enjoy the fruits of their labour in harmony, free from the will of a narcissistic boss blind with greed.

In conclusion, Moore’s approach is controversial. Not only does he profit from creating anti-capitalist propaganda, he is fully aware of it. Nonetheless, Moore’s voice is needed. He makes socialism appealing for the US audience by framing it as the patriotic thing to do for the sake of the reappropriation of the American Dream by the common US worker. He mixes satire, investigative journalism methods, and his own personal bias to entertain millions of people with a truth that is oftentimes ignored.

 

Bibliography

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Foster, G. (2017, February 20). Explainer: trickle-down economics. Retrieved from  <http://theconversation.com/explainer-trickle-down-economics-73062>

Grellet, F & Valentin, M. (2013). The Elizabethan Age. In An introduction to english literature – From Philip Sidney to Graham Swift (pp. 35-74). Paris: Hachette Éducation.

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Phillips, K.R. (2015). “I’m Sorry to See It Go”: Nostalgic Rhetoric in Michael Moore’s Capitalism: A Love Story. In Benson, T. W. & Snee, B. J. & Borda, J. L. & Harold, C. & Ott, B. L. & Sci, S. A. (Eds.), Michael Moore and the Rhetoric of Documentary (pp. 170-189). Carbondale: Southern Illinois University Press.

Rampell, E. (2016). A Working-Class Filmmaker Is Something to Be An Interview with Michael Moore. Progressive, 80(3), 37-39.